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By Rose Gowen


From the Archive

By Marie Ungar


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By Caleb Braun


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VOLTA No. 3  Fall 2026


Flur (2024), Lilli Geyer


POETRY
CALEB BRAUN The New Brutalism
MARIE UNGAR Secret Poem
JULIE HANSON Marriage
NINA RELJIĆ‍ New Amsterdam
MAX GREGG the baltimore oriole is migratory 
MIRANDA ARGYROS Shadowboxing
DAVID KEPLINGER  The Ordovician Period

FICTION
MYLES EARLY   Spaniel Daisy Retriever Yarrow‍ ‍

NONFICTION
‍ELEANOR POLAK Can You Forgive Her? The Sickly Stylishness of The Drama

ARTIST INTERVIEW
‍LILLI GEYER “Nothing too Ordinary to be Painted”: A Creative Practice and the Beauty of the Domestic‍ ‍

FROM THE VOLTA ARCHIVE

I often think I’ve been places I’ve never been. I see the city lights and remember crawling into each and every window. It’s devastating. Each and every window.
— Marie Ungar, from "Winter Hill"
The map had been completed. The map itself / had been mapped by another map.
— Caleb Braun, from "The New Brutalism"
if I let my arms / go does it look like I’m letting / my arms go
— Liliana Greyf, from "Providence River"
AUTHORS

David Ehmcke

Julie Hanson

Myles Early

ARTISTS

Madeline Eldridge

Faye Wei Wei